contributor • April 1, 2012 Photo: Mark J. Terrill/AP Photo [Results updated in real time—Check musicrow.com f Read More.
Jon Freeman • April 2, 2012
Miranda Lambert and Sony Music Nashville Chairman/CEO Gary Overton
At the 47th Annual Academy of Country Music Awards in Las Vegas last night (4/1), Taylor Swift, Blake Shelton, Miranda Lambert, and more emerged as the event’s big winners. On the not-so-winning side, Ashton Kutcher sang part of a George Strait song, but the less we say about that the better.
The show opened on Carrie Underwood, her magenta dress popping against the black and white uniforms of her band. The singer delivered her current single “Good Girl,” accompanied by video screens of dancing 18-wheeler mudflap girls, but (I’m guessing) she might have been having some sound issues because I can’t recall ever seeing Carrie not hit every note with laser precision.
Co-hosts Reba and Blake Shelton gave some comic banter that kept the evening light and fun. A couple of their best:
Early performances included Chris Young on the up-tempo album cut “Save Water, Drink Beer,” and Zac Brown Band kicking off the ACM Fan Jam down the street at Mandalay Bay with “Keep Me In Mind.”
Sound issues also seemed to be plaguing The Band Perry during “Postcard From Paris,” but that didn’t stop Kimberly Perry from conducting herself like a star. You can’t teach that kind of stage presence.
Song of the Year was presented to a very excited Eli Young Band for “Crazy Girl,” accompanied by writers Lee Brice and Liz Rose. Singer Mike Eli was genuinely shocked, saying “I have dreamed about the moment my whole life.”
Over at Mandalay Bay, host Zac Brown introduced New Artist of the Year nominee Hunter Hayes with the pointed comment that he’s “somebody who actually plays on his own records.” All the New Artist nominees–Hayes, Brantley Gilbert, and Scotty McCreery–got a very brief one verse, one chorus performance slot. Scotty was eventually named the category’s winner.
Miranda Lambert got her first of two wins for Album of the Year, making Four The Record her third consecutive album to win the honor. “My albums are my babies,” said Lambert. “It’s what wakes me up in the morning.” She also took home Female Vocalist of the Year.
Later in the show, the Columbia Records star turned in one of the night’s best performances with “Over You,” which her hubby Blake Shelton called “the most important and personal song of our lives together.” Clad in a striking black dress, Miranda’s emotive performance of the song about loss and grief proved that she doesn’t need fireworks and shotguns to get her point across.
KISS, in full makeup, presented Lady Antebellum with the Vocal Group of the Year Award, prompting Charles Kelley to say “I feel like I need to pull [my shirt] down and give a little chest hair.” Later in the show, the group sang an atmospheric “Dancin’ Away With My Heart” on a very foggy stage.
EMI Nashville’s Eric Church gave a great performance of “Springsteen,” and the cameras caught Keith and Nicole singing along in the audience. Also, is anyone else starting to wonder if Church sleeps in those sunglasses?
Brad Paisley ripped through “Camouflage” with gusto, showing his trademark flashing guitar licks. Paisley re-appeared later in the show to play guitar on Zac Brown Band’s “Whiskey’s Gone,” clad in a beanie to match Brown’s signature headgear.
Jason Aldean, Kelly Clarkson, and Michael Knox won the Single Record of the Year ACM for “Don’t You Wanna Stay.” Aldean revealed that his intuition about recording the song had been right. “I thought it needed a female vocal, and Kelly was the first name I threw out.”
Reba gave the late Earl Scruggs a shout out before legendary comedian Steve Martin turned up to play the title instrument on the Rascal Flatts single “Banjo.” He seemed underutilized, however, staying mostly in the background.
Shelton introduced Toby Keith’s “Red Solo Cup” by saying it was “the biggest surprise hit since Osama Bin Laden said ‘Who is it???’” Vegas comedian Carrot Top randomly showed up during Keith’s march around the arena during the boozy hit.
Tim McGraw and Kenny Chesney sounded good together on “Feel Like a Rockstar,” which was shipped out to radio during the show. Call me crazy, but I suspect their Brothers of the Sun Tour this summer might go pretty well.
Another excellent performance came from Dierks Bentley, who was introduced via video by Bono. “His music reaches all the way to my kitchen in Dublin,” said the legendary rockstar before Bentley delivered an anthemic, sing-along version of “Home” that wouldn’t have been out of place at a U2 show.
Then things took a turn for the gimmicky with the much-publicized wedding during Martina McBride and Train singer Pat Monahan’s performance of “Marry Me.” What was probably a nice idea on paper fell flat in execution as the audio panned between Martina’s vocals and the wedding official doing the “to have and hold” bit, leaving many viewers scratching their heads.
Co-host Shelton was presented with the Male Vocalist award, continuing his and Miranda’s reign as the King and Queen of the format. “I didn’t see this coming!” he said. “I was thinking about Dierks’ song. It’s been a long hard road, and we’ve got a way to go still.”
Other performances included Keith Urban’s “For You” from the movie Act of Valor; Blake Shelton on “Drink On It”; Little Big Town mixing Hunter Hayes’ song “Here’s Hope” with John Lennon’s “Imagine” and a children’s choir to raise awareness for the Child Hunger Ends Here campaign; Jason Aldean on “Fly Over States”; and Sara Evans on “My Heart Can’t Tell You No.”
Taylor Swift, who didn’t perform, was presented with her second consecutive Entertainer of the Year Award. “To my fellow nominees, I respect you so much. We work hard and try to give back. Thank you to the fans for voting, and also my family!”
Shelton got a second performance slot to close out the show, and was joined by Lionel Richie to duet on Richie’s hit “You Are” which appears on the duets project Tuskegee.
Sarah Skates • March 29,
Bluegrass legend Earl Scruggs died March 28, 2012 in a Nashville area hospital at age 88. When asked about the banjo pioneer’s career, most who knew him site his kindness first and his musical achievements second.
From early commercial success with The Beverly Hillbillies theme “The Ballad of Jed Clampett,” to a Grammy Lifetime Achievement Award in more recent years, Scruggs captivated generations of musicians and music lovers.
Historian Robert K. Oermann explains, “He was such a sweet soul. No one in any genre of music has so profoundly influenced the playing of his or her instrument the way Earl did.”
Earl Eugene Scruggs was born in Flint Hill, NC on Jan, 6, 1924 and by his teens had developed a unique three-finger style of banjo picking that would revolutionize the genre. In 1945 he met future duo partner Lester Flatt, when both were members of the landmark group Bill Monroe’s Blue Grass Boys.
In a recent column for The New Yorker, Steve Martin wrote, “Some nights [Earl] had the stars of North Carolina shooting from his fingertips. Before him, no one had ever played the banjo like he did. After him, everyone played the banjo like he did, or at least tried. In 1945, when he first stood on the stage at the Ryman Auditorium in Nashville and played banjo the way no one had ever heard before, the audience responded with shouts, whoops, and ovations….There aren’t many earthquakes in Tennessee, but that night there was.”
Flatt & Scruggs
By 1948 Flatt and Scruggs left Monroe’s band and formed the Foggy Mountain Boys, which later become known simply as Flatt & Scruggs. Together, they popularized bluegrass throughout the fifties and sixties with national television spots such as The Beverly Hillbillies, with performances at famed events including the Newport Folk Festival, and a morning radio show on WSM in Nashville, sponsored by Martha White Flour.
Jody Williams, BMI VP Writer/Publisher Relations, reflects on Scruggs, a lifelong BMI writer. Williams’ uncle also booked Flatt & Scruggs for the original Martha White commercial. “He was traditional, and at the same time he was avant garde,” muses Williams. “With Flatt and Scruggs he defined the banjo, taking it from rural stages to the Opry, then college campuses in the ’60s, all the way to Carnegie Hall. He is an architect of the genre of bluegrass. It’s popularity would never have soared without Earl…We salute his contribution to American music. Our thoughts and prayers are with the Scruggs family.”
The duo called it quits in 1969 and continued separate careers. Flatt died in 1979, and the duo was inducted into the Country Music Hall of Fame in 1985.
“Earl Scruggs was the single most important instrumentalist in Bluegrass music,” explains Tony Conway. “Along with Bill Monroe, Earl Scruggs was responsible for helping create a much larger audience for the format of Bluegrass, particularly a new and younger fan base. He was always a first class Gentleman.”
Family played a significant role in Scruggs’ career. His wife Louise, who died in 2006, is credited with steering his remarkable success and was a pioneering female in the music business in her own right.
Scruggs teamed with sons Randy and Gary for the Earl Scruggs Revue in 1969. The group veered into folk-rock territory and included a rotating cast of musicians, including Randy and Gary’s brother, Steve. In 1972 Earl, Gary and Randy played on the Nitty Gritty Dirt Band’s landmark album Will The Circle Be Unbroken.
Scruggs’ achievements earned numerous accolades including a National Heritage Fellowship, and the National Medal of Arts. He was inducted into the IBMA Hall of Fame in 1991. Even late in his career the honors kept coming. His album Earl Scruggs and Friends won a Grammy in 2001, one of three Grammys he earned between 1998 and 2004, as well as a 2008 Grammy Lifetime Achievement Award.
Nashville writer Holly Gleason recalls him fondly, including friendly encounters at the most modest of restaurants, the Waffle House. “When you make the musical mark Earl Scruggs did, you won’t ever be gone,” she sums. “People will listen to his records and marvel; pick up their instrument and practice the complicated three fingers rolls, the wildly accelerated picking. His mark shall last forever. So will his soul.”
Scruggs’ health waxed and waned in recent years, including a September 2010 hospitalization in North Carolina for an undisclosed illness.
He was preceded in death by his son Steve, and wife Louise.
The family will receive friends during visitation Fri., March 30 and Sat., March 31 between 3 – 7 p.m. at Spring Hill Funeral Home, 5110 Gallatin Pike, Nashville. Funeral services will be held Sun., April, 1 at 2 p.m. at the Ryman Auditorium. In lieu of flowers, donations may be made to the Country Music Hall of Fame & Museum or the Earl Scruggs Center.
Caitlin Rantala • April 2, 2012
Rascal Flatts announced today they have re-named their 2012 tour the Farmers Insurance Presents “Changed Tour.” The tour name reflects the title of the band’s upcoming album, Changed, due in stores this Tuesday (4/3). The concert line-up will feature an all band set-up with Little Big Town, Eli Young Band and Edens Edge opening. The trek launches in Hartford, CT, on June 15 at the Comcast Theatre. Please check www.rascalflatts.com for up to date tour information.
Changed Tour dates:
6-15 Hartford, CT Comcast Theatre
6-16 Boston, MA Comcast Center
6-23 Washington DC Jiffy Lube Live
6-24 Virginia Beach, VA Farm Bureau Live
6-29 Cleveland, OH Blossom Music Center
6-30 Darien Center, NY Darien Lakes Perf. Arts Center
7-6 Bangor, ME Bangor Waterfront Pavilion
7-13 Dallas, TX ** Gexa Energy Pavilion
7-14 Houston, TX ** Woodlands Pavilion
7-20 Detroit, MI DTE Energy Music Theatre
7-22 Cincinnati, OH Riverbend Music Center
7-27 St Louis, MO Verizon Wireless Amphitheatre
7-28 Chicago, IL First Midwest Bank Amphitheatre
8-9 Charlotte, NC Verizon Wireless Amphitheatre
8-10 Raleigh, NC Time Warner Cable Music Center
8-11 Philadelphia, PA Susquehanna Bank Center
8-31 Indianapolis, IN Klipsch Music Center
9-1 Pittsburgh, PA First Niagara Pavilion
9-13 Mountain View, CA Shoreline Amphitheatre
9-14 Irvine, CA Verizon Wireless Amphitheatre
9-15 San Diego, CA Cricket Wireless Amphitheatre
9-20 Boise, ID Taco Bell Arena
9-21 Spokane, WA Spokane Arena
9-22 Tacoma, WA Tacoma Dome
TBA Vancouver, BC Rogers Arena
TBA Winnipeg, MB MTS Centre
TBA Grand Forks, ND Ralph Engelstad Arena
10-4 Phoenix, AZ Ashley Furniture HomeStore Pavilion
10-5 Albuquerque, NM Hard Rock Presents the Pavilion
10-6 Denver, CO Comfort Dental
10-18 Lexington, KY Rupp Arena
10-20 Atlanta, GA Lakewood Amphitheatre
10-26 Tampa, FL 1-800-ASK-GARY Amphitheatre
10-27 W Palm Beach, FL Cruzan Amphitheatre
**Thompson Square will replace Eli Young Band
contributor • April 1, 2012
[Results updated in real time—Check musicrow.com for complete coverage tomorrow morning (4/2)]
Entertainer of the Year
Female Vocalist of the Year
Male Vocalist of the Year
Vocal Group of the Year
Vocal Duo of the Year
New Artist of the Year
Album of the Year
Four the Record — Miranda Lambert (RCA) [Producer: Chuck Ainlay, Frank Liddell]
Song of the Year
“Crazy Girl” — Eli Young Band (Composers: Liz Rose, Lee Brice) [Publishers: Cake Taker Music (BMI), Mike Curb Music (BMI), Sony/ATV Tree Publishing (BMI), Sweet Hysteria Music (BMI)]
Single Record of the Year
“Don’t You Wanna Stay” — Jason Aldean with Kelly Clarkson (Broken Bow) [Producer: Michael Knox]
Vocal Event of the Year
“Don’t You Wanna Stay” — Jason Aldean with Kelly Clarkson (Broken Bow) [Producer: Michael Knox]Video of the Year
Video of the Year
“Red Solo Cup” — Toby Keith [Producer: Mark Kalbfeld; Director: Michael Salomon]